Books
Wading Through Lethe, FutureCycle Press, 2022
Polishing Silver (chapbook), Finishing Line Press, 2011
Anthologies
Wild Muse: Ozarks Nature Poetry, Cornerpost Press, 2022
“Stigmata,” Red: a Hue Are You anthology, Jambu Press 2022
“An Education,” Best New Poets, University of Virginia Press, 2018
Translations
“Radish Flower,” written by Seoknam Jang, co-translated with Claire Su-Yeon Park, Four
Poems
“Marfan Syndrome” and “Once a Month,” MedMic, Winter 2023
“Hospital,” Medicine and Meaning, Fall 2023
“Waiting for the Rain” and “Ode on a Trilobite,” Skipjack Review, Fall 2023
“Becoming,” Mom Egg Review, Fall 2023
“September,” Midwest Zen, Fall 2023
“The Battle of Wilson’s Creek,” “Gainesville,” “Kleggan,” Slant, Fall 2023
“After the Accident,” Carve Magazine, Fall 2023
“Holding” and “Dream,” The Sunlight Press, Fall 2023
“St. Vincent Hospital” and “Father’s Mail,” Medicine and Meaning
“Catharsis” and “Walk in Early Spring,” Slant, Fall 2022
“Childhood” and “Buying the House,” Elder Mountain, Fall 2022
“Midsummer” and “When I First Loved You,” Spindrift, Summer 2022
“Longing as an Antidote to Loneliness,” Plainsongs, Summer 2022
“The Body,” Medicine and Meaning, Spring 2022
“Rapunzel,” “Princes,” and “Ghost Town” in Cave Region Review, Spring 2021
“Ghost Town” Spotlight and Interview, Skipjack
“Just Married,” in Clementine Unbound, Winter 2021
“The Red Vineyards of Arles, Vincent van Gogh,” in La Piccioletta Barca, February 2020
“Chicken Farm,” in Coal Hill, Winter 2020
“Mountain Air,” “House Hunting,” and “Owl,” Elder Mountain, Winter 2019
“At the Jardin des Plantes,” “The Little Mermaid Vacations in Florida,” and “Musée d’Orsay,” Impossible Task, Fall 2019
“The Far Side of the Mountain,” “Cyclist with Two Bikes,” “Home,” and “Visit,” Orson’s Review, Fall 2019
“Diminuendo,” Empty House Press, Spring 2019
“Summer, Greers Ferry Lake” and “Night Out at Cadron Creek Catfish House, Choctaw, Arkansas,” Elder Mountain, Spring 2019
“Ginkgo” and “Beebe, Arkansas, December 31, 2011,” Cantos, Spring 2019
“Still Life,” Twyckenham Notes, Winter 2018
“Childhood,” “Watching The Good, the Bad, and the Ugly,” and “When the lights are out and we with our disembodied voices,” Green Briar Review, Winter 2018
“Mother to Son” and “After Caravaggio’s The Crucifixion of St. Peter,” Intégrité, Fall 2018 (
“A week before she died” and “At the Creek,” ep;phany Fall/Winter 2018
“Leaving Italy,” October Hill, Fall 2018
“Mercy,” Concho River Review, November 2017
“Always a War,” Tishman Review, Summer 2017
“A Letter to Italy,” “A Monastery in Venice,” and “At the Coffee Shop,” Timberline Review, Summer 2017
“Bathsheba” and “3:22 a.m.,” 2River View, Winter 2017
“Epiphany” and “Polish Wedding,” The Fem, January 2017 (related blog)
“Y2K,” Contemporary Verse 2, Fall 2016
“The Lady Eve,” SLANT, Spring 2016
“Where Deer Dwell,” translation of Wang Wei, Subtropics, Spring/Summer 2016
“Expectations,” The Main Street Rag, Winter 2016 (Table of Contents only)
“Flight” and “First Child,” Glassworks, Spring 2016
“On the Color Black,” Stonecoast Review, Winter 2015
“First Communion,” “Emily Dickinson Floats the Buffalo River,” “Milking,” “Emergence,” and “Morrilton, Arkansas,” Sixfold, Summer 2015
“Daffodil,” Cellpoems, April 2014
“Signs,” SLANT, Spring 2011
“To Virginia Woolf,” Euphony, Spring 2009
“Airport,” The Summerset Review
paulette guerin 